Collection: Fiorucci

Fiorucci has established itself with a playful, pop, and irreverent style. Founded on a joyful aesthetic loosely inspired by urban culture, disco, and baroque kitsch angel figures, the brand stands out for its taste for color, offbeat shapes, and hybridization of references. In the world of eyewear, this translates into often oversized frames, tinted with pink, purple, or shiny tortoiseshell, with generous lines and sometimes flashy details. Fiorucci glasses are not intended to be discreet: they are an integral part of a confident look.

The Fiorucci brand was founded in 1967 in Milan by Elio Fiorucci, an entrepreneur influenced by Italian design and Anglo-American pop culture. By the 1970s, the brand had become a benchmark for young, alternative fashion, breaking with the norms of the time. Fiorucci boutiques in Milan, New York, and London combined clothing, accessories, music, and graphics in a resolutely experimental spirit. Sunglasses quickly became an important part of the offering, produced in Italy under license or in collaboration with local manufacturers. In the 1980s, the collections expanded internationally, and Fiorucci glasses appeared in the fashion press alongside stretch jeans and printed sweatshirts. The brand experienced a decline in popularity in the 1990s, before being relaunched several times in the 21st century.

Fiorucci glasses from the 1970s to the 1990s were generally made of colored acetate, with distinctive shapes: square, oversized round, or exaggerated cat-eye. Some models featured very wide temples, sometimes printed or with the logo in capital letters molded into the material. There were also frames in translucent pink, blue, or lilac plastic, with matching lenses. A few pairs produced in the 1980s featured chrome details or applied decorative elements, in keeping with the brand's iconic angelic or disco imagery. The word "Made in Italy" was common, engraved on the inside of the temples.

The Fiorucci boutique in New York, opened in 1976 on East 59th Street, was dubbed "the Studio 54 of the day" by Andy Warhol. It brought together designers, stylists, musicians, and artists, and played a key role in the spread of disco and streetwear culture. Sunglasses, sold alongside skinny jeans and neon accessories, were part of the visual paraphernalia of this creative scene. Some advertising campaigns showcased glasses as an identity accessory in their own right, alongside sneakers or printed bags.

Vintage Fiorucci sunglasses reflect a specific moment in fashion history: the fusion of pop culture, music, and design. Their dated—yet consistent—aesthetic appeals to fans of pieces with strong visual identities. Their Italian production ensures decent manufacturing quality, and their limited distribution in France makes them relatively rare on the secondhand market. They are part of a collection oriented towards 1980s fashion culture, somewhere between unabashed kitsch and internationalized urban style.