Collection: Pierre Cardin

The Pierre Cardin spirit is recognizable in its taste for the avant-garde, geometric shapes, and experimentation with materials. Far from the conventions of Parisian classicism, the brand develops a vision of fashion turned toward the future, often inspired by architecture, space, or science fiction. This formal orientation is reflected in its sunglasses: graphic frames, angular or circular lines, contrasting colors, sometimes intentional asymmetry. The design is conceived as an extension of the garment, with a constant search for visual novelty.

Pierre Cardin was founded in Paris in 1950 by the couturier of the same name, after training at Paquin and collaborating with Dior. Cardin became famous in the 1960s for his innovative approach to couture, which he applied to many areas, from furniture to accessories. He was also one of the first designers to develop a large-scale licensing policy. Pierre Cardin eyeglasses appeared from the late 1960s, often manufactured under license in France or Italy. Manufacturers varied by decade, but older productions often bear the words "Pierre Cardin Paris" engraved or embossed on the temples, with models distributed internationally.

Among the iconic models are the goggles with continuous lines, typical of the 70s. The Modèle 2509 Optyl model—in thermosculpted acetate with wide temples and a metal logo—is a good example of the 80s period. The Mod. 2393 series adopts a slightly angular oval shape with thin metal temples. Several frames in Optyl (a thermoformed material patented by Safilo) appeared in the 80s, with shiny or pearly finishes. The Pierre Cardin logo can be embossed on the temples or in the form of a metal inlay, sometimes accompanied by lines or geometric inserts.

Some Pierre Cardin glasses from the 1970s were featured in design exhibitions and the most experimental fashion shows of the time. Their shapes anticipated digital design, long before its arrival in fashion.

Vintage Pierre Cardin sunglasses offer a visual testament to the forward-looking fashion of the 1960s to 1980s. Their often bold design, French or Italian manufacturing, and formal diversity make them particularly interesting pieces for lovers of sculptural eyewear. Some series were produced in limited quantities or have become rare on the secondary market. Their direct connection to the designer's overall universe (fashion, furniture, graphics) reinforces their value in a cross-disciplinary approach to the collection.